Sound,
trumpet and drum,
For
the All Blacks have come,
Bowed down ‘neath their burden of glory;
They
have put in the shade
Old
Achilles, and laid
On the shelf all the heroes of story.
Neither England nor France
Could
withstand their advance,
Though
’gainst Newport they had a near squeak;
Old Ireland fought
gamely,
Nor
did Wales suffer tamely
The
process of eating the leek.
Nicholls,
Nepia and Cooke
All
played like a book,
As
did Parker, the Brownlies, none fleeter;
And
more I could name
Who
have just as much claim,
Were
it not for the bonds of my metre.
Yet
it might be as well,
In
case our heads swell,
To
remember a former mishap;
Let
us not crow too loudly,
Or
bear ourselves proudly.
South
Africa’s still on the map.
Then
here’s to the boys
Who
have made such a noise
In
all lands where the oval is kicked,
While
they’ve burnished her fame,
They
have guarded her name,
And
returned to New Zealand “unlicked.”
©
Robert J Pope
From
King Willow: Selected Poems by Robert J Pope, ed. Mark Pirie (HeadworX, Wellington, 2012)
Guest editor: Mark Pirie (Wellington, NZ)
This is a classic New Zealand poem by Robert J Pope. I first came across his collections in the Poetry Archive of New Zealand Aotearoa, when I was editing a book of this country's cricket poems in 2010. I included Pope’s ‘King Willow’ in
A Tingling Catch: A Century of New Zealand Cricket Poems 1864-2009.
I became intrigued. Subsequently, I picked up copies of his books second-hand in Lower Hutt and Wellington and in the Alexander Turnbull Library I discovered more, including manuscript books, a school songbook and scrapbook that Pope and his daughter had deposited. The work was all out of copyright restrictions at that stage, and I decided it could be of value to have the best of his work collected.
King Willow: Selected Poems (HeadworX 2012) is the result.
Pope was not a major poet of the English language but I believe he was a significant one in the context of New Zealand poetry. His poetry was always competent and well made with an ability to mimic and parody the more famous works of his era and revitalize them in a New Zealand context. His most interesting poems concern the All Blacks tour of Great Britain, France and Canada in 1924/25.
When I posted Pope’s rugby poems on the Poetry Archive website during the IRB Rugby World Cup 2011. I was uncertain how much interest there would be, but to date, the poems have had over 3,500 visits. All Blacks historian Ron Palenski was one of the visitors, and included a few of the poems in his just-published anthology of NZ rugby poems Touchlines (NZ Sports Hall of Fame, 2013) – which he says was inspired by
A Tingling Catch.
Perhaps the best of these is ‘The All Blacks’ which would not be out of place in any future anthology of this country’s verse. As poet Ernest L Eyre (also included in Palenski’s anthology) once wrote of this era and the earlier Originals tour of 1905/06:
Ah, you boys who play at Rugby ev’ry weekend on the green
You will never see such matches as we veterans have seen!
Though you may play clever football, of a new and later brand,
You don’t possess the “ginger” of old Rugby Football Land.
For the “All Blacks” were the heroes of that land of wondrous fame:
They had overrun the Empire, and they made New Zealand’s name.
Well put. The patriotic nationalist verses by Pope while typical of their time are a vivid blend of what helped mold New Zealand’s name overseas, and few New Zealand names are more famous now than the All Blacks.
 |
| Invincibles 1924 |
The players named in the poem are: Mark Nicholls and Bert Cooke (five-eighths), George Nepia (sole full-back), Jim Parker (wing-forward), and brothers Maurice and Cyril Brownlie (key forwards). Of course Nepia, Cooke and Maurice Brownlie are well recognised now as All Black greats.
Brownlie, as Palenski notes in Touchlines, was the Colin Meads of his era. Of particular interest to me about this team is that my grandfather played during this era (1919-1929), and coached the North Shore Seniors with Bert Cooke in 1938.
The team became the Invincibles, one of the greatest teams to leave our shores.
Each of these extraordinary teams (Originals and Invincibles) played with the old 2-3-2 scrum and wing-forward formation eventually outlawed by the English rule makers in 1932. While the Originals sole defeat 0-3 at the hands of Wales in Cardiff soured their remarkable tour, the Invincibles went one better.
The poem certainly gives us the fanfare of their arrival home in 1925. It first appeared in the New Zealand Free Lance, March 1925 (and I first found it in Pope's Turnbull Library scrapbook.) For those who enjoy watching the All Blacks each winter, this poem will ring bells.
King Willow: Selected Poems (HeadworX 2012) includes previously uncollected and unpublished poems and music scores accompany selections from Pope’s two published books. An appendix includes a selection of his prose writings, including his Wellington club cricket essay and sporting ‘contorts and retorts’. Copies are for sale at Unity Books in Wellington and can be ordered from HeadworX mpirie@xtra.co.nz
This selection of Robert J Pope not only ‘gives a substantial picture of the man and his times’, it gives a significant New Zealand poet the recognition he should have always had.
- Alistair Paterson, Editor of Poetry NZ.
Robert J Pope (1865-1949) was a well-known Wellington poet, cricketer and songwriter in his day – and till the end of the 1940s he held a reputation as a national songwriter for his school song ‘New Zealand, My Homeland’ – but today, his work is little known and out of print.
Pope’s poetry, lyrically gifted, showed musical flair and easy felicity of rhyme. He began writing and publishing in earnest during the Edwardian era, and his work notably covers the two world wars and the national politics of the period, 1902-1944.
His most interesting work concerns sporting verse on the 1924/25 All Blacks “Invincibles” tour of Great Britain and France and suburban satires on Wellington city-life. Pope was a leading light verse parodist of his day, publishing mainly in the Free Lance and The Evening Post, and was a precursor to the ‘Wellington group’ of the 1950s.
Publications by Robert J Pope:
Some New Zealand Lyrics (Ferguson & Osborn Ltd, Wellington, 1928.)
A New Zealander’s Fancies in Verse (Whitcombe & Tombs, Wgtn, 1946.)
King Willow: Selected Poems edited by Mark Pirie (HeadworX, Wgtn, 2012.)
Touchlines: An Anthology of Rugby Poetry can be purchased from the NZ Sports Hall of Fame, Dunedin. Email: info@nzhalloffame.co.nz
This week’s guest editor Mark Pirie is an internationally published New Zealand poet, anthologist, literary critic, writer and publisher who is currently researching a book on his grandfather Tom Lawn’s rugby career. In 2010 he edited and published 'A Tingling Catch: A Century of New Zealand Cricket Poems 1864-2009' http://tinglingcatch.blogspot.co.nz
The anthology of New Zealand science fiction poetry (IP Brisbane) which he co-edited with Tim Jones won the Sir Julius Vogel Award for Best Collected Work 2010. As a publisher (HeadworX) and author Mark has over 100 titles listed in the National Library of New Zealand. His website is www.markpirie.com and he co-organises and updates the 5000+ catalogue of PANZA, the Poetry Archive of New Zealand Aotearoa.
Remember to check out our sidebar to see which Tuesday Poems have been posted by our 30-strong team of poets.
Marisa Cappetta won the 2011 Hagley Writers' Institute of Christchurch Margaret Mahy prize. Marisa's poetry has been published in anthologies, e-zines and journals including Crest to Crest, Takahe, InterlitQ, Enamel, Voiceprints 3, Snorkel, Blackmail Press, Turbine and Landfall. She is the recipient of a NZSA mentorship, and is on the boards of the Canterbury Poets Collective and Takahe magazine.
